![]() ![]() There, unfortunately, isn’t a perfect input transform for the C500, but Carlos goes with the closest option which is the C700’s Canon Log 2 IDT. Don't feel that you're forced to use a technical LUT if you don't want to-it's totally okay to just calibrate your display to Rec709 and manually grade the footage so it looks good to your eye. He then can turn on Canon’s LUT to create a Rec.709 look and still has plenty of room to make more creative grading choices. In any case, if you're able to make the clip look good on your external monitor, then you should be able to use some kind of curves adjustment in Premiere to match that look. You're evidently using an external monitor that allows you to inject a LUT, so there's an opportunity to connect that monitor to your computer to identify whether the difference comes down to different display calibrations or a Premiere configuration or some other factor. plus support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras. It sounds like you're happy with a set of adjustments when you were shooting, but somehow what should have been the same pipeline in your computer has resulted in a much darker image. I feel like this is the core problem that you need to address and debug. When I use the same conversion LUT on the footage, it ends up looking nothing like it did in the monitor. I used the c-log to rec709 LUT from canon in my monitor while shooting Easier said then done it seems when shooting LOG. I know it’s a complicated topic but I’m just trying to understand the best workflow for lighting and exposing my scene for the highest dynamic range and most accurate image. However Canon recommends putting middle grey at 32% which would put the exposure just about where it ended up in my footage. ![]() I know in general, many people suggest OVER exposing LOG footage. It totally crushes the blacks and makes a gross looking image so I can only assume it’s not working as intended. FREE STANDARD SHIPPING & HANDLING ON CAMERA & LENS PRODUCTS Canon Homepage Canon Support EOS R5 C EOS R5 C DOWNLOADS SETUP & TROUBLESHOOTING PRODUCT INFO EOS R5 C Get started with these quick links. When I use the same conversion LUT on the footage, it ends up looking nothing like it did in the monitor. Canon Support for EOS R5 C Canon U.S.A., Inc. When I bring in the footage to Premiere, most of the clips look underexposed. I used a light meter to decide exposure but used the LUT in monitor to get an idea of finished image. I used the c-log to rec709 LUT from canon in my monitor while shooting. Trying to understand how to properly shoot and grade 10-bit C-log. ![]()
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